In This Issue: MICA on Display,‌ Redefining Curation
 ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌ ‌

Click here to see a web copy of this email

MICA July 2022

NOW SHOWING – EVERYWHERE

Artists and creative makers across the MICA community are bringing their work — and its power to educate, illuminate, and connect — to both the local and global stage everyday. They are showing in traditional settings as well as contemporary venues and platforms that are expanding their ability to reach audiences. This issue highlights a handful of such creatives from MICA — artists, designers, and curators who are engaging with diverse communities in spaces large and small, raising awareness, bridging gaps, and shifting conversations both inside and outside the art world.

ALL THE WORLD'S A STAGE

IT'S ELLE PÉREZ’S WORLD

AND WE'RE ALL LIVING IN IT

Photos by Elle Pérez '11 (Photography BFA)

It’s not a cliche to say that the trajectory of Elle Pérez ’11 (Photography BFA) has been meteoric. In a handful of years, they’ve had solo shows at MoMA PS1 and the Carnegie Museum of Art, taken part in the Whitney Biennial and an exhibition guest curated by Tilda Swinton for Aperture, to name just a few.

And in 2022, Pérez’s work — which visualizes the complexities of gender identity and is imbued with a profound sense of care for their subjects — seems to be everywhere, including a solo show at the Baltimore Museum of Art, the 59th International Venice Biennale, and a group show at the Whitney Museum this fall. The artist was also recently named one of six winners of this year’s coveted Rome Prize.

Audiences in Baltimore can currently see Pérez’s work in Devotions, which runs at the Baltimore Museum of Art through March 19, 2023. The works are presented as an immersive experience, connecting the John Waters Rotunda and adjacent galleries.

In Italy, their work can be seen in The Milk of Dreams — on view through November 26, 2022 in the Central Pavillion at the 59th International Venice Biennale.

And this fall, they will take part in the Whitney Museum’s no existe un mundo poshuracán: Puerto Rican Art in the Wake of Hurricane Maria. Organized to coincide with the fifth anniversary of the category 5 storm that devastated the island, the exhibition features the work of more than fifteen artists from Puerto Rico and the diaspora, and runs from November 23, 2022 through April 23, 2023.

Read more on:

Instagram
FRIEZE
aperture

META-
PHORIC

MICA ALUMN CREATES AN IMMERSIVE, VISUAL NARRATIVE AROUND CLIMATE CHANGE FOR META OPEN ARTS

A picture of Meta's logo on top of artwork by Morel Doucet '13 (Ceramics BFA)

In an installation at Meta Open Arts’ Miami office to mark World Oceans Day on June 8, Morel Doucet ’13 (Ceramics BFA) addresses themes of climate change in his work The Ocean Dances Over Sun-Buttered Mountains.

Founded by Mark Zuckerberg’s virtual reality company, Meta, Open Arts was created to empower communities through creativity. Meta Open Arts routinely collaborates with artists and designers around the world to offer new ways of thinking, and the connection between the organization and Doucet — a Miami-based artist originally from Haiti — was no coincidence. Doucet uses his work to catalog a powerful record of environmental decay at the intersection of economic inequity, the commodification of industry, and race; and his work for Meta Open Arts is a visual allegory that confronts Miami’s climate crisis using ceramic porcelain forms that the artist hand built and slip cast to mimic coral species and their fragility.

Doucet’s work can currently be seen at the 59th Venice Biennale in The Afro-Futurist Manifesto: Blackness Reimagined. On view through November 2, 2022 at the European Cultural Centre. In addition, Doucet is a committed arts educator and is a frequent visiting artist at MICA, where he works with and mentors students taking in the Ceramics Department.

Watch the Video: Morel Doucet for Meta

ILLUSTRATING CHANGE

MICA FACULTY EXPLORES ILLUSTRATION'S IMPACT ON HISTORIC PERCEPTIONS OF RACE

Robyn Phillips-Pendleton

Robyn Phillips-Pendleton, MICA faculty and interim director of the MFA in Illustration Practice, is co-curator of Imprinted: Illustrating Race at the Norman Rockwell Museum in Stockbridge, Massachusetts, on show through October 30, 2022. The practice of illustration is rooted in storytelling, and it is used to convey ideas that emotionally engage the viewer; and through 300 plus artworks and objects from the late eighteenth century to the present, the exhibition takes a laser-sharp look at illustration’s impact on public perception of race in the US throughout its history — from how it shaped attitudes that allowed slavery and post-Civil War Jim Crow laws to exist, to its contributions to the Harlem Renaissance and Civil Rights Movements of the 1960s and today.

Read the story: Robyn Phillips-Pendleton

Read more on:

The Boston Globe

GLOBAL
CANVAS

CELEBRATING EVERYTHING FROM ESPRESSO TO THE CHANGING OF THE SEASONS, MICA ALUM REACHES A WORLDWIDE AUDIENCE

A Google Doodle by Olivia Huynh When '13 (Illustration BFA)

MICA graduate Olivia Huynh When ’13 (Illustration BFA) is the creator behind a recent Google Doodle that marked the 171st birthday of Angelo Moriondo, the man who patented the first known espresso machine. Using coffee as the work’s sole medium, When documented the work by creating a timelapse video.

Google Doodles celebrate holidays, historic figures and events, and other cultural touchstones, and often serve to educate their viewers. And as a firm part of the contemporary visual landscape, they also offer creatives in the media arts a massive platform to showcase their work. When, who is a prolific Doodler, has a global audience — creating animations and interactive games for the tech giant to mark events such as Halloween, Lunar New Year, and the seasonal equinoxes, to people that include American astronaut Sally Ride, Belgian physicist Joseph Antoine Ferdinand Plateau, and Japanese inventor Seiichi Miyake.

Read more on:

Google

CULTURAL ARCHITECTS

CURATORS FROM MICA ARE ENRICHING — AND REDEFINING — THEIR FIELD

The pioneering MFA in Curatorial Practice at MICA — the first of its kind in the US — is a hotbed of invention. Its students deliberately seek alternative models of exhibition-building, with the goal to better engage audiences and expand the roles curators play in their communities, and with a deliberate eye on social justice. Alumni from the program have gone on to meet that challenge, and in Baltimore, they’re considered some of the city’s most noteworthy creative leaders.

Several of the program's alumni as well as a MICA faculty member were recently profiled in The New Art Examiner, which lauded their "union of cultural and intellectual scope, ethical awareness, and inexhaustible commitment to their causes." Below is a link to the full Art Examiner story as well as a listing of the curators and faculty featured within it.

Read the story: Cultural Architects
Tiffany Auttrianna Ward '20

TIFFANY AUTTRIANNA WARD ’20
(CURATORIAL PRACTICE MFA)

Deyane Moses ’19, ’21

DEYANE MOSES ’19, ’21
(PHOTOGRAPHY BFA, CURATORIAL PRACTICE MFA)

Bebette Pendleton ’21

BABETTE PENDLETON ’21
(CURATORIAL PRACTICE MFA)

Imani Y. Haynes ’20

IMANI Y. HAYNES ’20
(CURATORIAL PRACTICE MFA)

Dulcina Abreu ’21

DULCINA ABREU ’21
(CURATORIAL PRACTICE MFA)

Joseph Orzal ’19

JOSEPH ORZAL ’19
(CURATORIAL PRACTICE MFA)

Joy Davis, Adjunct Faculty

JOY DAVIS
ADJUNCT FACULTY, ART HISTORY

Ashley Minner ’05, ’11 (General Fine Arts BFA, Community Arts MFA)

Another MICA alum, Ashley Minner ’05, ’11 (General Fine Arts BFA, Community Arts MFA), recently began her tenure as an assistant curator for history and culture at the Smithsonian’s National Museum of the American Indian in Washington, DC. The Smithsonian’s first curator from the Lumbee Tribe of North Carolina, she was previously inaugural director of the minor in public humanities at University of Maryland, Baltimore County, a role she took on after earning a PhD in American Studies from the University of Maryland, College Park.

Considered a powerful voice for the Lumbee, Minner is also an exhibiting artist, and much of her work chronicles the experience of the tribe. Her honors include a Soros Foundation Open Society Institute Community Fellowship, as well as the American Folklore Society’s Polly Grimshaw Prize for her archival research in collaboration with Lumbee elders in Baltimore.

Read the Story: Ashley Minner at the Smithsonian

Read more:

BmoreArt


Email Marketing by ActiveCampaign